The Eye of Horus
Peter Bull's
Research Site
The Eye of Horus


Cultural History Unveiled

Welcome to this site devoted to uncovering secrets from the past. These pages detail research that all began with the burning question: "Who wrote Shakespeare?" When first confronted with that question, sometime in the mid-1980s, I had no idea of the vastness of the rabbit-hole into which I would plunge.

Having come to realise the man from Stratford-upon-Avon was completely unqualified to have written the famous plays and poems, it was a short leap to suspect the true author, whoever he or she was, would have been motivated to set the record straight. If so, it implied the strong probability there would be personal information encoded somewhere the plays or poems.

I started with a hunch that the cabalistic technique of gematria would have a key role. This is a method of concealing information in a text by substituting letters for numbers. I set about to discover the system of gematria of the English language. While the gematria of Hebrew ancient Greek, Arabic and some other languages was well-documented, knowledge of English gematria seemed to be lost. However, I found out that it wasn't unknown but deeply buried and only transmitted in secret between initiates of certain esoteric traditions.

 

 

In 2004, I was the first person in 473 years to publish and draw attention to the main gematria code of English. I went on to document how its use underpins the symbols of Freemasonry. When I applied my gematria knowledge to Shakespeare's Sonnets, I soon found evidence to convince me that I was on the right track, but I was at a loss to understand the numeric patterns confronting me. I needed to rediscover 'The Secret Language of Numbers' - from the ground up. In practice, that meant building up an encylopaedia of number symbolism, one digit at a time. It has been a decades-long undertaking.

It was way back in 2002 that I made the big breakthrough. I discovered an acrostic message hidden in the Sonnets. When I put the first letters of every line in the Sonnets, in a rectangular grid, I found the message, "KIT MARLOWE WROTE THIS". It had always been my main hypothesis that Christopher Marlowe - who apparently died 12 days before the name Shakespeare was first appended to a piece of writing – was the actual author of the works. The beauty of the acrostic derives from its disguised form. Whilst those with a little knowledge of cryptography will claim an acrostic can only ever be accepted if the letters are selected by a regular mechanical rule, in this case, they need to take onboard the concept of security being procurred by means of double or triple layers of encryption.

The subtle genius of the Marlowe acrostic is that it has sufficient regularity to be found by anyone, but enough irregularity to be discounted by those unaware of the principle underlying its higher-level 'distortion'. That principle is the geometric patterning found in the Cabalistic practice of gematria. It was my understanding, built up by decades of study, that allowed me to find the geometric algorithm which precisely accounts for the message's deviation from mechanical symmetry. What is particularly neat is that the key to this pattern is the name, "Christopher Marlowe".

My new book, out in 2026, 'Shakespeare's Untold Story - The Marlowe Codes in Shake-speare's Sonnets', details major new findings and updates the original discoveries from 24 years earlier.

 

 
Humpty

 

Note

From 2004 to 2018 my website was known as "Peter's Gematria Site" and hosted at ‘masoncode.com’. In that year, the domain host sold the domain to a third party without making any attempt to notify me. I only discovered what they had done when I found myself unable to login to my site. The new owner cloned 98% of the content of my website and hosted it on the same domain in flagrant breech of copyright. I took what legal steps I could afford to seek redress. Unfortunately my pockets were not deep enough for justice of any kind. The world's leading search engine agreed with my lawyer not once but twice that the website was blatantly plagiarising my work, but they showed no interest in delisting it from their search results.

 

© Peter Bull 2004-2026
All rights reserved. No portion of this page may be reprinted or otherwise
duplicated without express written permission from the author.